Racebannon
Midway between a deleted scene from River's Edge and the resurrection of Frankenstein to unleash havoc upon the villagers that put him under, the Racebannon sound is one of many disparate influences that blend seamlessly into one lethal cocktail of hatred and aggression, draped in a cerecloth of pure molten rock that is as unforgiving as it is pulse-quickening. Indie rock? No. Metal? No. Hardcore? No. Noise core? No. Racebannon? Yes. It really is that simple. Hesh enough for any mosh pit, yet cerebral enough for the art palate, Racebannon attack with the heave and punch the endtimes dictate while still keeping things fresh and original. Love or hate, there is no ignoring the 12 guage barrage of riffs, screams, and drums.
Albums
1 song
Never a force content to deliver obvious moves, the next release from the Racebannon juggernaut sees them joining forces with some friends and releasing...*gasp* a DJ-styled 12" release. Yes folks, Wrap the Body!
A collaboration between Racebannon and Jilly Weiss (We Are Hex), and also featuring a full-blown remix from long time friends Yea Big, Kid Static and Stak; this is Racebannon at both their weirdest and yet most recognizable. Yes, the requisite churn, chaos, and darkness are all present and yes, Mike Anderson belts out yet another genre-bending throat-box assault. The razor riffing is omnipresent, and the low-end hits like a depth charge. But the token Bannon weapons collide face-first with programmed beats, samples, and an instantly frenzied vocal contribution from Weiss, who sounds like a banshee possessed by equal parts PJ Harvey, bad acid, and Satan herself. The end result is something that is immediately memorable, catchy, scary, and downright original.
In short you are left with another boot-print across the grill that reads "Racebannon."
Consistent with the format, the 12" showcases the studio cut (recorded by Mike Bridavsky at Russian Recording), as well as instrumental and acapella versions on Side A, allowing for a multitude of utilities, listening experiences, and applications. Changing pace dramatically, the flip offers a mega-remix from Yea Big, who gives Wrap the Body a glitchy, organ-driven rework that keeps the essence of the original intact while leaving an indelible blueprint of his trademark sound. Long-time collaborator Kid Static also contributes verses to the remix, as does Bloomington rapper Stak, making this a remix in the truest sense. Both rappers offer performances rooted equally in both the cerebral and the visceral spheres, and help to take the track to an entirely different ether than the original. As with Side A, instrumental and acapella versions are also on offer for the brave/DJ-minded listener.
Limited to a one-time pressing of 500 copies, this is an essential purchase for theRacebannon fanatic, as well as all DJ\'s and vinyl fetishists. Joyful Noise, Racebannon,and some talented contributors bring you one of the more challenging and enjoyable beat-looped, occult-driven, heavy dance disco sludge metal 12"\'s you are likely to hear. Come to think of it, it will probably be the only one you ever hear. Only the brave have the mettle... (D.Britts)